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Welcome to our road trip to rediscover one of the country's original living traditions. Each time a fiddler counts down and the horsehair bends across the four silver strings, you poised to begin a journey through time and over terrain. From mountaintops to lowland swamps, heartache to despair, sweetness to sorrow, every hoedown, rag, waltz, and reel tells a story. “Arkansas Traveler,” “Dusty Miller,” “Cumberland Gap,” “Salt Creek,” “Sally Goodin,” or “Choctaw,” each have a story to tell about our collective past. Read below how we started down the Trails of Rosin Dust. We look forward to sharing the rest of the ride with you.

Learn About Us Below

ABOUT US

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Heather Bennett

 

In the past 25 years, I’ve worn many hats: litigator, entertainment attorney, wife to a politician, and mother of two. While my life appeared full, something else was knocking on memory's door. If there’s ever a silver lining to divorce, it can be that single jolt that unearths buried passions and forgotten dreams. As I travelled up and down Interstate 5 shuttling my children for visitation, I strangely felt a sense of homecoming. As the miles stretched on, with nothing but the endless sky and the hum of the highway, I began to hear whispers of fiddle tunes rise from the chambers of my memory. To pass the time, I began telling my children stories of my childhood traveling back-country roads in search of fiddle contests and old-timers to teach me obscure tunes. As the tales unfolded, I realized I wasn’t just revisiting my past—I was reconnecting with a deeper history, one rooted in the very heart of our nation. These timeless wordless melodies, once the center piece of early American festivities, reveal how music can bridge cultural divides and unite diverse voices, offering a lasting reminder of the shared bonds that form the essence of American community.

 

Born from this moment, Trails of Rosin Dust is a tribute to forgotten memories and the journey that unfolds when one chooses to revisit the past and explore its deeper meanings.

Slim (87) and Me (12)

I was 7 when I first encountered fiddle tunes. My parents had taken my sister and me to Death Valley, California to attend the town’s annual ‘49er commemoration to experience the ardors of 19th-century pioneers traveling west in search of gold. Amongst people dressed in period clothing, day-in-the-life-of demonstrations, the shrill whistles of mule-driven flap jack races, and bumpy rides in covered wagons, a fiddle contest took center stage. As the fiddle tunes danced through the air and the rosin dust from the fiddler’s fiery bow filled my lungs, the music entered my soul. My path was set: I would become a contest fiddle player. As fate would have it, our 83-year-old neighbor Slim, happened to be an old-time fiddler who had come to California in a covered wagon in 1893. Slim didn’t read music, so he taught me note-for-note in the aural tradition—the way tunes had been passed for centuries. Within a year, I was traveling back-country roads to compete in fiddle contests and learning more tunes from other old-timers.

 

Although I later left fiddling to pursue other dreams, as I shared these stories with my children, my initial impulse was to lament leaving my fiddle adventures behind. Now I realize that each experience living abroad, every language learned, and every chapter of history explored broadened my perspective allowing me to share this brief encounter with a bygone era.​ Even today, when I play my fiddle, I am on a journey through time and terrain, each tune a link to people and places, past and present. While fiddle tunes may sound simple, peeling back the layers left over time reveals a complex tapestry woven from diverse cultural traditions over generations. As we explore together each of the five musical regions, I hope you will hear fiddle tunes in a new way and witness their communal power.

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Sadie Cibula

As a graduate of University of Southern California’s School of Cinematic Arts, I began my career as an assistant to writer/director Wes Anderson before joining Riley Keough’s production company, Felix Culpa, where I gained invaluable experience in film development and production. After graduating, I moved to Paris to pursue a postgraduate degree in performance at the renowned French acting academy, Cours Florent. There, I immersed myself in character study and storytelling from an actor’s perspective, which continues to inform my directing style today. I also continued writing, directing, and producing my own short films, bringing a cross-cultural sensibility to a creative foundation deeply rooted in American musical traditions.

Sadie - age 4 

Although I don’t actually recall this photo of me trying to learn the fiddle; I remember vividly when my mom returned to the music that shaped her childhood. I was a tween, witnessing my mother rediscover herself and bringing her kids along for the ride. Joining my mom criss-crossing the country on scouting trips, my coming-of-age memories are filled with fiddle jams in every imaginable setting—rolling hills and piney forests, secret pubs in mountain towns, hotel rooms, motel parking lots, starlit campgrounds, and sparkling stages in Nashville. These lived experiences shaped my artistic lens and now inform my role as co-director on Trails of Rosin Dust, where I work with my mom to bring her vision to life on screen. My USC film education and acting training, helps me translate the emotional depth of her world into a cinematic language—shaping each episode’s rhythm while creating a space where our subjects feel natural, grounded, and fully themselves on camera. I also work behind the scenes as Creative Producer and Content Strategist, helping shape the story across platforms through production planning, audience research, and our evolving social media presence—all in service of the community and spirit that fuel this world. I look forward to bringing you into some of those magical places soon.

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Hunter Cibula

My cinematography career began in high school when a short film earned me an American Field Service (AFS) scholarship to spend a year living and studying in the French-speaking part of Belgium. I went on to study film at USC's School of Cinematic Arts. While at USC, I had the privilege of joining the Emmy and Peabody award-winning Mike Tollin Productions (MTP) as a Camera Operator on an upcoming documentary on USC football as well as intern with Lauren Greenfield on her docu-series Social Studies. As a post graduate, I will spend the next year in South America as a Fulbright Scholar documenting the social impacts of climate change on South American cultures that depend on the Patagonia mountain range.

Hunter - age 2

Although this photo might suggest otherwise, I never actually learned to play the fiddle. However, growing up attending countless fiddle camps while accompanying my mom on scouting trips for Trails of Rosin Dust, I became pretty skilled at backing fiddlers on guitar. These early experiences traveling with mom to document the music of her childhood also provided my first hands-on experience working behind the camera. I remember the first interview I ever filmed—I was a junior in high school, and my mom and I were touring colleges on the East Coast. My mom knew of a legendary Appalachian fiddler named Travis Stewart, and we decided to try to find him. As we drove deeper into the Appalachia mountains and the darkness of the woods and night began closing in, I'll never forget the warmth that awaited us when we arrived—We were welcomed by a kind man whose fiddle playing was as captivating as his North Carolina drawl. He played old, obscure Appalachian tunes and shared stories of his childhood, jamming with the Cherokee in nearby Cherokee, North Carolina. When I learned of his passing a year later, it was then I understood the importance of capturing those last flickers of light in this world of human experience before they fade forever into the night.  

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Building Creative Partnerships

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Building Creative Partnerships

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Building Creative Partnerships

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Building Creative Partnerships

OUR TEAM

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